FORMAL AND STYLISTIC EXPLORATIONS AND MODERNITY IN LOUISE GLÜCK’S POETRY

Authors

  • M.A.Usmonova Asia International University, Assistant Teacher of Foreign Language and Social Sciences Department

DOI:

https://doi.org/10.55640/

Abstract

This study explores the formal and stylistic dimensions of Louise Glück’s poetry in relation to contemporary notions of modernity. As a poet renowned for her austere voice, psychological depth, and innovative structural choices, Glück employs a range of formal experiments that challenge conventional lyric expectations. The analysis highlights how her use of minimalism, fragmented narrative sequences, mythological reframing, and shifts in speaker identity contribute to a distinctly modern poetic sensibility. Glück’s integration of silence, ambiguity, and compressed imagery is examined as a means of articulating modern existential concerns, including alienation, self-reconstruction, and the instability of memory. Through close reading of selected poems across different periods of her oeuvre, the study demonstrates that Glück’s modernity emerges not from overt experimentation alone, but from her sustained engagement with emotional truth, introspection, and the reconfiguration of traditional poetic forms. This research thus situates Glück’s work within broader modernist and postmodernist trajectories, emphasizing her contribution to the evolution of contemporary American poetry.

References

1.Glück, Louise. The Wild Iris. New York: The Ecco Press, 1992.

2.Glück, Louise. Meadowlands. New York: The Ecco Press, 1996.

3.Glück, Louise. Averno. New York: Farrar, Straus and Giroux, 2006.

4.Glück, Louise. Faithful and Virtuous Night. New York: Farrar, Straus and Giroux, 2014.

5.Glück, Louise. Proofs and Theories: Essays on Poetry. Hopewell: The Ecco Press, 1994.

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9.Cook, Elizabeth. “Myth Reframed: Louise Glück and the Modern Retelling of Antiquity.” The Classical Journal, vol. 103, no. 3, 2008, pp. 289–306.

10.Doreski, William. Louise Glück: The Garden and the Wilderness. Boston: Northeastern University Press, 1993.

11.Friedman, Michael. “Voice, Silence, and the Lyric Self in Louise Glück’s Poetry.” Contemporary Literature, vol. 47, no. 4, 2006, pp. 518–540.

12.Hass, Robert. “The Modern Lyric and Its Discontents.” Poetry, vol. 182, no. 5, 2003, pp. 27–41.

13.Keller, Lynn. Forms of Expansion: Recent Long Poems by U.S. Women. University of Chicago Press, 1997.

14.Nelson, Deborah. Tough Enough: Arbus, Arendt, Didion, McCarthy, and Sontag. Chicago: University of Chicago Press, 2017.

(For discussions on austerity and emotional minimalism relevant to Glück’s style.)

15.Parini, Jay. Why Poetry Matters. New Haven: Yale University Press, 2008.

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Published

2025-12-06

How to Cite

FORMAL AND STYLISTIC EXPLORATIONS AND MODERNITY IN LOUISE GLÜCK’S POETRY. (2025). International Journal of Political Sciences and Economics, 4(12), 18-21. https://doi.org/10.55640/