THE EVOLUTION OF CINEMA: HOW INDEPENDENCE CHANGED UZBEK CINEMA
Article Sidebar
Main Article Content
Abstract
Independence in 1991 ushered in an era of dramatic change in Uzbek cinema. The stable but ideologically constrained system collapsed, and the national film industry found itself caught between two opposing forces: the acquisition of creative freedom and the destruction of the traditional economic model.
Downloads
Article Details
Section
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors retain the copyright of their manuscripts, and all Open Access articles are disseminated under the terms of the Creative Commons Attribution License 4.0 (CC-BY), which licenses unrestricted use, distribution, and reproduction in any medium, provided that the original work is appropriately cited. The use of general descriptive names, trade names, trademarks, and so forth in this publication, even if not specifically identified, does not imply that these names are not protected by the relevant laws and regulations.
How to Cite
References
1.Abashin, S. (2009). Culture and everyday life in Central Asia after independence. Central Asian Survey, 28(4), 415–433. https://doi.org/10.1080/02634930903302060
2.Bridges, B. (2014). Post-Soviet transformations in national cinemas: The case of Uzbekistan. Studies in Russian and Soviet Cinema, 8(2), 132–149. https://doi.org/10.1080/17503132.2014.906328
3.Dzyaloshinskii, I. (2002). Cinema in post-Soviet Central Asia: Between tradition and innovation. Kinokultura, (3). Retrieved from http://www.kinokultura.com
4.Khalid, A. (2007). Islam after communism: Religion and politics in Central Asia. University of California Press.
5.Rahimova, N. (2016). The development of national cinema in Uzbekistan after 1991: Challenges and perspectives. Journal of Central Asian Studies, 23(1), 67–79.