THE ROLE OF DIGITAL TECHNOLOGIES IN TEACHING THE ART OF MAQOM TO THE YOUNG GENERATION: AN ANALYSIS OF OPPORTUNITIES AND PROBLEMS
DOI:
https://doi.org/10.55640/Keywords:
maqom art, digital educational technologies, national musical heritage, music pedagogy, e-learning, Uzbekistan.Abstract
This article critically examines the role of digital technologies in teaching maqom art — a cornerstone of Uzbekistan's national musical heritage — to younger generations. The study analyzes the limitations of traditional pedagogical methods, evaluates the educational potential of digital platforms and multimedia tools, and draws on empirical data from Uzbekistan and international practice to propose a hybrid instructional model.
Downloads
References
1.UNESCO. Convention for the Safeguarding of the Intangible Cultural Heritage. — Paris: UNESCO Publishing, 2003. — 46 b.
2.Karimov B.R. Globallashuv sharoitida milliy musiqa madaniyati // O'zbekiston san'atshunoslik axborotnomasi. — 2021. — №3. — 82–95-p.
3.Matmusayev M.T. Shashmaqom ta'limida ustoz-shogird an'anasining o'ziga xos xususiyatlari // Milliy musiqa: an'ana va zamonaviylik. — T.: Fan, 2019. — 128–145-p.
4.Alfiya, Q. (2023). Milliy Musiqa San’ati Va Yoshlar Tarbiyasi. Journal of Creativity in Art and Design, 1, 16-20.
5.Nazarbaevna, Q. A., & Serjanovich, K. S. (2024). The Importance of Scenario in Cultural Events. EUROPEAN JOURNAL OF INNOVATION IN NONFORMAL EDUCATION, 4, 259-262.
6.Nazarbaevna, Q. A., & Saliyevna, Y. Z. (2025). SPECIFIC FEATURES AND CHALLENGES OF TEACHING AMATEUR CHOREOGRAPHY TO STUDENTS. AMERICAN JOURNAL OF SOCIAL SCIENCE, 3(10), 95-103.
7.Shermanov, E. (2024). Talabalarning madaniy daxldorlik fazilatini sun’iy intellekt vositаsidа o ‘qitish texnologiyаlаri. MAKTABGACHA VA MAKTAB TA’LIMI JURNALI, 1(8).
8.Saidovich, J. S., Uralovich, S. E., Kurbanov, A., & Erkinovna, A. N. (2022). The role of cinema in the system of education.
9.Shermanov, E. (2024). Mаdаniy intellektning ijtimoiy sohа mutаxаssislаrini tаyyorlаsh jаrаyonidаgi integrаtsion roli. MAKTABGACHA VA MAKTAB TA’LIMI JURNALI, 1(8).
10.Ermanova, D. (2024). ABOUT MUSIC CULTURE AND PIANO. Modern Science and Research, 3(10), 76-79.
11.Dauletbek, A., & Dilafruz, E. (2025). THE IMPORTANCE OF PEDAGOGICAL MASTERY IN TEACHING VARIETY PERFORMANCE TO STUDENTS. SHOKH LIBRARY.
12.Ermanova, D. (2025). FORTEPIANODA ESITIW QÁBILETIN RAWAJLANDIWDIŃ ÁHMIYETI. Modern Science and Research, 4(2), 188-190.
13.Ermanova, D. (2025). BOSHLANG’ICH FORTEPIANO TA’LIMI VA FORTEPIANO CHALISHNING DASTLABKI BOSQICHI. Inter education & global study, (2), 582-592.
14.Dilafruz, E. (2025). THE IMPORTANCE OF PSYCHOLOGICAL READINESS OF THE STUDENT IN THE PROCESS OF PIANO PRACTICE. AMERICAN JOURNAL OF SOCIAL SCIENCE, 3(11), 115-123.
15.Yusupaliyeva, D. Q. (2024). NOMODDIY MADANIY MEROSNI MUHOFAZA QILISH, ASRASH VA TARG’IB ETISH MASALALARI. Inter education & global study, (4 (1)), 334-342.
16.Юсупалиева, Д. К. (2015). Некоторые страницы деятельности региональных телевещательных компаний в Узбекистане. Культура. Духовность. Общество, (17), 34-38.
17.Юсупалиева, Д. К. (2017). Телевидение Узбекистана как источник духовно-нравственного обновления общества. Апробация, (1), 100-102.
18.Юсупалиева, Д. К. (2017). Некоторые аспекты становления и развития телевидения Узбекистана. Апробация, (1), 103-106.
19.Yusupalieva, D. K. (2020). Development of mutually beneficial cooperation of Uzbekistan within the SCO. ISJ Theoretical & Applied Science, 5(85), 901-903.
20.Yusupalieva, D. K., & Sodirzhonov, M. M. (2017). Mass media in Uzbekistan: development trends, dynamics and prospects. Modern Science, (1), 23-25.
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors retain the copyright of their manuscripts, and all Open Access articles are disseminated under the terms of the Creative Commons Attribution License 4.0 (CC-BY), which licenses unrestricted use, distribution, and reproduction in any medium, provided that the original work is appropriately cited. The use of general descriptive names, trade names, trademarks, and so forth in this publication, even if not specifically identified, does not imply that these names are not protected by the relevant laws and regulations.

