LITERARY STYLISTICS OF JEAN RHYS’S PROSE
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Abstract
This article explores the literary stylistics of Jean Rhys's prose, focusing on her unique narrative voice, lexical choices, and sentence structure. Through a stylistic analysis of selected passages from her major works, particularly Wide Sargasso Sea and Good Morning, Midnight, the study demonstrates how Rhys's style reflects her central themes: alienation, identity, and feminine subjectivity. The findings contribute to a better understanding of Rhys’s stylistic contribution to modernist literature and feminist narrative.
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